<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-980883093185698240</id><updated>2012-03-21T08:25:46.349-07:00</updated><title type='text'>Nirala Publications</title><subtitle type='html'>World's largest publishing house of books on Nepal, Bhutan, Himalayan Culture and World Poetry</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>20</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-7176215390921106111</id><published>2012-03-10T13:42:00.003-08:00</published><updated>2012-03-10T13:44:18.892-08:00</updated><title type='text'>Just published from Nirala</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;i&gt;&lt;b&gt;Just Released&lt;/b&gt;&lt;/i&gt;&lt;div class="post-bodycopy clearfix"&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt; &lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Milarepa’s Bones, Helambu&lt;/b&gt;&lt;br /&gt;&lt;i&gt;33 New Poems&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Yuyutsu RD Sharma&lt;/b&gt;&lt;br /&gt;ISBN-81-8250-032-X   2012   Hard  pp.82&lt;br /&gt;&lt;i&gt;Formed by 20th century South Asian and North American poetry   movements and himself a verbal renewer of his country’s literature,   Yuyutsu indefatigably writes along rivers and paths, mountains, valleys   and villages, verse after verse…&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Dr. Christoph Emmrich ,&lt;/b&gt;&lt;br /&gt;&lt;i&gt;South and Southeast Asian Buddhism at the University of Toronto.&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Garuda &amp;amp; Other Poems of Astral Plains&lt;/b&gt;&lt;br /&gt;&lt;b&gt;David B. Austell&lt;/b&gt;&lt;br /&gt;ISBN-81-8250-038-9   2012   Hard  pp.64&lt;br /&gt;&lt;i&gt;“From Garuda to Saluda (that is, from the Hindu man-bird deity to   a tiny town in North Carolina), David Austell’s new collection  explores  recurring themes of masculine identities and human  complexities with  precision and grace. This poetic world is one of  unerring attention to  tight image and emotional nuance, with a  sometimes terrifying  undercurrent of recurrent meanings drawn from a  wide range of cultural  allusions, all shared by a guide whose capacious  voice can contain both  deep mysteries and no small dash of humor.  Austell shows us the  unforgettable feel of the club of young adolescent  “He-men” on a quest  for a secret stream; a southern woman looking back  to the Dixieland of  ambiguities of raced, gendered, and classed  expectations; the  dangerously aching erotics of the male gaze or the  musical score. The  final long poem “The Final Pitch on Olympus Mons” is  an utter tour de  force of baseball, poetics, science fiction, and a  shiveringly unstable  encounter with absolute Otherness. Not many  volumes of poetry are real  page-turners as well as perfect pitches:  this one is.”&lt;/i&gt;&lt;br /&gt;-&lt;b&gt;Meg Harper&lt;/b&gt;&lt;i&gt; &lt;/i&gt;&lt;br /&gt;&lt;i&gt;Glucksman Professor of Contemporary Writing in English, University of Limerick Limerick, Ireland&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Inside Out, Upside Down, &amp;amp; Round and Round&lt;/b&gt;&lt;br /&gt;&lt;i&gt;Poems Selected &amp;amp; New&lt;/i&gt;&lt;br /&gt;&lt;b&gt;John J. Trause&lt;/b&gt;&lt;br /&gt;ISBN-81-8250-049-4   2012   Paper  pp.83&lt;br /&gt;Dizzy from diving into John J. Trause’s new collection of surprising poems, I urge you to enter!&lt;br /&gt;Let the title swirl and turn you into his wild array of   inventions.&amp;nbsp;&amp;nbsp;Witty, ribald, arch, they tease and entice. They are smart   poems. With eclectic topics, he applies a scholar’s encompassing mind   and an artistic eye for colorful detail. Trause is not only a prosodic   humorist, he is as ever a proficient scholar, and these poems prove his   rigorous power. Note his classical and Biblical knowledge, the many   languages at his command, and the contemporary scenes he pulls into   focus—even on a mocking tour of north NJ towns! These poems take a   reader traveling through many lands of rhyme and reason; hurry to see   what Trause finds “Outside the Zoo” in the poem of that title, enjoy his   complex vocabulary, laugh with his riffs.&amp;nbsp;&amp;nbsp;Don’t let the abstruse  words  retain you from the lively banter.&amp;nbsp;&amp;nbsp;Run and climb. I tried to  swim  through, but found myself riding the waves.&amp;nbsp;These poems will  entertain  you, make you study, make you gasp. You may turn round and  read again,  they will make you a little wiser than before John J.  Trause took hold.&lt;b&gt; &lt;/b&gt;&lt;br /&gt;&lt;b&gt;Madeline Tiger&lt;/b&gt;, author of&amp;nbsp;&lt;tt&gt;&lt;i&gt;From the Viewing Stand&lt;/i&gt;&lt;/tt&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;b&gt;All The Way From Kathmandu&lt;/b&gt;&lt;br /&gt;&lt;i&gt;Selected Jazz Poems&lt;/i&gt;&lt;br /&gt;&lt;b&gt;John Clarke&lt;/b&gt;&lt;br /&gt;ISBN-81-8250-042-7   2012   Paper  pp.82&lt;br /&gt;&lt;i&gt;Careful how you hold this book. It might burn. &lt;/i&gt;&lt;br /&gt;&lt;i&gt;But beautifully.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;With life.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;And with love.&lt;/i&gt;&lt;br /&gt;–&lt;b&gt;Billy Jenkins&lt;/b&gt;&lt;br /&gt;&lt;i&gt;“Jazz poetry that will give you wings”&lt;/i&gt;&lt;br /&gt;-&lt;b&gt;Dean Stalham &lt;/b&gt; Director, &lt;i&gt;‘Artsaveslives’&lt;/i&gt;&lt;br /&gt;&lt;i&gt;“Jazzman john does with words what Coltrane did with the horn”&lt;/i&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;-&lt;/i&gt;Geoff &amp;nbsp;Parker,&lt;/b&gt;’ Brixtongue’&lt;br /&gt;&lt;i&gt; &lt;/i&gt;&lt;br /&gt;&lt;b&gt;Journey Though India and Nepal : &lt;/b&gt;Poems/Pictures&lt;br /&gt;&lt;b&gt;Robert Scotto &amp;amp; Lu Wu&lt;/b&gt;&lt;br /&gt;ISBN-81-8250-045-1   2012   Hard  pp.82&lt;br /&gt;The pillow book result of Robert and Lu Wu’s passage to Hindustan and the Himalayas.&lt;br /&gt;Like his master Whitman, Scotto describes ‘as accurately as possible   what he saw and reflect as honestly as I was able to on what it meant.’   And Lu weaves&amp;nbsp; her carpet of lurid colors that &amp;nbsp;can induce you to pack   up and head for a very long journey. A stunning mine of riches, the  book  shows results of crossing borders to become bridges.&lt;br /&gt;&lt;b&gt;Incident on the Orient&lt;/b&gt;&lt;br /&gt;Poems by&lt;b&gt; George Wallace&lt;/b&gt;&lt;br /&gt;ISBN-81-8250-044-3   2012   Paper  pp.63&lt;br /&gt;&lt;i&gt;“An exciting and youthful journey of poems and adventures, we   follow with enthusiasm, this young man’s journey to India. To travel to   India is to search for yourself. For it is ever true that the journey   leads to where you have always been”&lt;/i&gt;&lt;br /&gt;&lt;b&gt;-Donavan Leitch&lt;/b&gt;&lt;br /&gt;&lt;b&gt;No Child More Perfect &amp;amp; Other Poems&lt;/b&gt;&lt;br /&gt;Christi Shannon Kline&lt;br /&gt;ISBN-81-8250-039-7 &amp;nbsp;&amp;nbsp;2012 &amp;nbsp;&amp;nbsp;Paper&amp;nbsp; pp.82&lt;br /&gt;&lt;i&gt;Watch out!&amp;nbsp; Christi Shannon Kline’s poems are original.&amp;nbsp; She speaks her mind:&amp;nbsp;ordinary and desperate,&lt;/i&gt;&lt;br /&gt;&lt;i&gt;frank and unfaked and full of feeling.&amp;nbsp; The poems sing, and we welcome their freshness.&lt;/i&gt;&lt;br /&gt;–&lt;b&gt;Marie Ponsot&lt;/b&gt;- poet,&amp;nbsp;winner of the National Book Critics’ Circle Award&lt;br /&gt;&lt;b&gt;Things Missed in Exile&lt;/b&gt;&lt;br /&gt;&lt;i&gt;New Poems&lt;/i&gt;&lt;br /&gt;E. Avi Frishman&lt;br /&gt;ISBN-81-8250-039-7&amp;nbsp;&amp;nbsp; 2012&amp;nbsp;&amp;nbsp; Paper&amp;nbsp;&amp;nbsp; pp. 52&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-7176215390921106111?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/7176215390921106111/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2012/03/just-published-from-nirala.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7176215390921106111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7176215390921106111'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2012/03/just-published-from-nirala.html' title='Just published from Nirala'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-1086919776953851184</id><published>2011-01-09T21:10:00.000-08:00</published><updated>2011-01-09T21:10:40.006-08:00</updated><title type='text'>Folk Tales of Sherpa and Yeti -- New Edition</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;img alt="Cover of: Folk Tales of Sherpa and Yeti by Shwa Dhakal" src="http://covers.openlibrary.org/b/id/6578160-M.jpg" /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="post-headline"&gt;&lt;h1 style="color: #365da0; font-size: 1.7em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Folk Tales of Sherpa and Yeti &lt;/h1&gt;&lt;div&gt;&lt;br /&gt;Collected by Shiva Dhakal&lt;br /&gt;Adapted into Nepali by Yuyutsu RD Sharma&lt;br /&gt;ISBN 81-8250-002-0 2009. Paper pp.125. Rs. 195.&lt;/div&gt;&lt;/div&gt;&lt;div class="post-bodycopy clearfix" style="display: block; min-width: 0px;"&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong&gt;&lt;em&gt;Folk Tales of Sherpa and Yeti&lt;/em&gt;&amp;nbsp;reveals the drama of primitive human mind enacted on Himal’s glacial heights.&lt;/strong&gt;&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;The book is the result of Shiva Dhakal’s trek to Rolwaling and Khumbu. Creatively exploring the intricacy of human relationships, Shiva Dhakal offers a dazzling diadem of twelve folk tales.&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Employing his master skill of story telling, unlike fashionable folklorists, Mr. Dhakal evokes the elemental events that determine the working of a primitive psyche.&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;The incidents of raping of an innocent girl by the man-eater Yeti, of the seduction of an intimate friend’s wife, the tempting of an incarnate Lama by a young Sherpa maiden, the Strategy of annihilating Yetis of the world, the birth of mountains out of guilty lovers, and the duel between the wind and the fog reveal the basic working pattern of a primitive mind.&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;To read the Folktales of Sherpa and Yeti is to know the hidden hunger of much misunderstood and glamorized Sherpa mind.&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;“&lt;em&gt;The book is an excellent contribution to the Sherpa culture and Ethnology. Dhakal deserves congratulations on his arduous undertaking involving mountain trekking and his successful recapitulation of these tales in a very simple and clear-cut style …”&lt;/em&gt;&amp;nbsp;– Dr. Murari P. Regmi&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-1086919776953851184?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/1086919776953851184/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2011/01/folk-tales-of-sherpa-and-yeti-new.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/1086919776953851184'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/1086919776953851184'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2011/01/folk-tales-of-sherpa-and-yeti-new.html' title='Folk Tales of Sherpa and Yeti -- New Edition'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-5431825912320034766</id><published>2011-01-09T21:05:00.001-08:00</published><updated>2011-01-09T21:05:54.535-08:00</updated><title type='text'>The Yeti:Spirit of Himalayan Forest Shamans</title><content type='html'>&lt;div class="post-headline" style="font-family: verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;h1 style="color: #365da0; font-size: 1.7em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;The Yeti&lt;/h1&gt;&lt;/div&gt;&lt;div class="post-bodycopy clearfix" style="display: block; font-family: verdana, arial, sans-serif; font-size: 13px; line-height: 18px; min-width: 0px;"&gt;&lt;div class="wp-caption alignright" id="attachment_183" style="background-color: #f3f3f3; border-bottom-color: rgb(221, 221, 221); border-bottom-left-radius: 3px 3px; border-bottom-right-radius: 3px 3px; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(221, 221, 221); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(221, 221, 221); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(221, 221, 221); border-top-left-radius: 3px 3px; border-top-right-radius: 3px 3px; border-top-style: solid; border-top-width: 1px; display: block; float: right; height: auto; margin-bottom: 5px; margin-left: 10px; margin-right: 0px; margin-top: 10px; max-width: 96%; padding-top: 4px; text-align: center; width: 155px;"&gt;&lt;a href="http://niralapublications.com/wp-content/uploads/2010/11/The-Yeti.jpg" style="color: #365da0; font-weight: bold; text-decoration: none;"&gt;&lt;img alt=" The Yeti. ISBN81-85693-57-9 2004. Hardcover pp.113  Rs.250 Indian" class="size-full wp-image-183" height="203" src="http://niralapublications.com/wp-content/uploads/2010/11/The-Yeti.jpg" style="background-color: #f3f3f3; border-bottom-left-radius: 3px 3px; border-bottom-right-radius: 3px 3px; border-bottom-style: none !important; border-bottom-width: 0px !important; border-color: initial !important; border-color: initial; border-left-style: none !important; border-left-width: 0px !important; border-right-style: none !important; border-right-width: 0px !important; border-style: initial; border-top-left-radius: 3px 3px; border-top-right-radius: 3px 3px; border-top-style: none !important; border-top-width: 0px !important; height: auto; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px; max-width: 96%; padding-bottom: 0px !important; padding-left: 0px !important; padding-right: 0px !important; padding-top: 0px !important;" title="The Yeti" width="145" /&gt;&lt;/a&gt;&lt;div class="wp-caption-text" style="color: #666666; display: block; font-size: 0.8em; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 4px; padding-right: 4px; padding-top: 2px;"&gt;The Yeti. ISBN81-85693-57-9 2004. Hardcover pp.113 Rs.250 Indian&lt;/div&gt;&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Spirit of Himalayan Forest Shamans&lt;br /&gt;by Dr. Larry G. Peters&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; border-collapse: collapse;"&gt;ISBN 81-85693-57-9 2004 Hard pp.128 Rs. 250&lt;/span&gt;&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Dr. Larry G. Peters is a world-renowned scholar and initiated Shaman in the Tibetan tradition. The book takes a fresh look at the yeti, the elusive snowman of the Himalayas. Peters here aspires to establish the yeti as the spirit of the Himalayan Forest Shamans. In his view, Evolution-minded researchers’ hunt for ‘missing-link’ led to a scientific dead-end and the yeti who became associated with research fell into disrepute as a superstitious wed to spurious theory. Consequently, the yeti academically became “an abominable snowman”.&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Yeti is a living, current, popular mythology and a folkloric treasure whose origin the present book seeks to explore. Tracing its history to the pre-Buddhist, fierce spirit of Nature-mountain goddess and forest wild men of Bonpo shamanism in Tibet, Dr. Peters uncovers the hidden chapters of human history, evaluating the cross-cultural implications of religious practices, myths rituals, legends and scriptures.&lt;/div&gt;&lt;div style="display: block; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;The Yeti, to sum up, it a sparkling piece of original research written with an objective to rehabilitate interest in the study of yeti as a spiritual teacher and initiator of shamans.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-5431825912320034766?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/5431825912320034766/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2011/01/yetispirit-of-himalayan-forest-shamans.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/5431825912320034766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/5431825912320034766'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2011/01/yetispirit-of-himalayan-forest-shamans.html' title='The Yeti:Spirit of Himalayan Forest Shamans'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-6240548519587656132</id><published>2011-01-03T12:19:00.000-08:00</published><updated>2011-01-03T12:19:26.471-08:00</updated><title type='text'>Yuyutsu Sharma to read at Diane Hamilton's book launch</title><content type='html'>&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc6/hs036.snc6/166645_477534430950_714635950_6423099_3131578_n.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="color: #363636; font-family: 'Trebuchet MS', Trebuchet, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;Thursday January 13&lt;em&gt;&amp;nbsp;(&lt;/em&gt;from 6 – 7:30 p.m.)&lt;em&gt;&amp;nbsp;&lt;strong&gt;-&amp;nbsp;&lt;/strong&gt;&lt;/em&gt;&lt;a href="http://www.cmclibrary.org/" style="color: #365da0; font-weight: bold; text-decoration: none;"&gt;Lower Branch Library&lt;/a&gt;, 2600 Bayshore Rd., Villas, NJ 08251. Tel: 609 886 8999.&lt;em&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/em&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;Yuyutsu Sharma and Diane Hamilton will be reading at the launch of Diane Hamilton’s&amp;nbsp;&lt;a href="http://niralapublications.com/poetry/lizard-licking-donegal-other-poems/" style="color: #365da0; font-weight: bold; text-decoration: none;"&gt;&lt;em&gt;‘Lizard Licking, Donegal &amp;amp; Other Poems’&lt;/em&gt;&lt;/a&gt;, published by Nirala Publications.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-6240548519587656132?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/6240548519587656132/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2011/01/yuyutsu-sharma-to-read-at-diane.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6240548519587656132'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6240548519587656132'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2011/01/yuyutsu-sharma-to-read-at-diane.html' title='Yuyutsu Sharma to read at Diane Hamilton&apos;s book launch'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-8664193524050297117</id><published>2011-01-03T08:33:00.000-08:00</published><updated>2011-01-03T08:33:58.179-08:00</updated><title type='text'>Trance, Initiation &amp; Psychotherapy in Nepalese Shamanism By Larry G. Peters</title><content type='html'>&lt;div class="wp-caption aligncenter" style="color: #222222; display: block; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-left: auto; margin-right: auto; width: 198px;"&gt;&lt;img alt="" height="277" src="http://www.printsasiaimages.com/556743748/10070718113093116EJ2.jpg" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: auto; margin-right: auto; margin-top: 1.5em;" width="188" /&gt;&lt;div class="wp-caption-text" style="color: #aaaaaa; font-size: 11px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;Trance, Initiation and Psychotherapy in Nepalese Shamanism by Inderjeet , Larry G. Peters, Nandita Chatterje&lt;/div&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em; text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;Result of lifetime’s researches in the&amp;nbsp;&lt;a class="zem_slink" href="http://maps.google.com/maps?ll=27.9880555556,86.9252777778&amp;amp;spn=0.1,0.1&amp;amp;q=27.9880555556,86.9252777778%20%28Himalayas%29&amp;amp;t=h" rel="geolocation" style="border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-size: 12px; font-weight: bold; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Himalayas"&gt;Himalayas&lt;/a&gt;,-Trance is a meticulous study exploring the hidden terrains of&amp;nbsp;&lt;a class="zem_slink" href="http://en.wikipedia.org/wiki/Tamang" rel="wikipedia" style="border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-size: 12px; font-weight: bold; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Tamang"&gt;Tamang&lt;/a&gt;&amp;nbsp;and Tibetan Shamanism. An exquisite fusion of creative writing and anthropological research, the book evaluates the relevance of shamanic practices in a modern-day Nepal. Divided into four major sections, trance’ opens with a study of phenomenology of Shamanism as a spiritual discipline. Shamanism, Dr. Peters claims, is humankind’s first mystical tradition. It is a cross- cultural phenomenon. Shamans were the first to explore the inner space in a disciplined way. Shamanism, he adds, overlaps with, and is at the origin of other younger spiritual traditions, like Yoga,&amp;nbsp;&lt;a class="zem_slink" href="http://en.wikipedia.org/wiki/Vipassan%C4%81" rel="wikipedia" style="border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-size: 12px; font-weight: bold; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Vipassanā"&gt;Vipasana&lt;/a&gt;&amp;nbsp;and Tantra which had continued the development of the disciplines of spiritual transformation. “The shaman’s mystical path,” in Dr. Peters’ words, “is an archetype, a universal pattern. It is not a prehistoric or a dead artifact but a living fossil possessing the same vital psychological foundation as later mystical traditions. Against this ideological backdrop, Dr. Peter ventures to study the cultural archetype of what it is to be a shaman in a Nepalese society and finds out that Tamang shamanic initiatory process comprises a psychotherapeutic system. The chapter that follows documents rare letters he sent home to his friends. These letters tell us of remarkable shamans that he met during his anthropological fieldwork in Nepal. The chapter next effortlessly sketches the visions of Nepalese mindscape during Peters’ journey to Kalinchowk shrine with Aama Bambo, a Tamang shaman Focussing on the transformative nature of&amp;nbsp;&lt;a class="zem_slink" href="http://en.wikipedia.org/wiki/Mysticism" rel="wikipedia" style="border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-size: 12px; font-weight: bold; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Mysticism"&gt;mystical experiences&lt;/a&gt;&amp;nbsp;in Tamang shamanism, the author moves ahead to discuss the Tibetan healing rituals of Dorje Yudronma, a fierce manifestation of feminine cosmic force. Despite reservations on&lt;a class="zem_slink" href="http://en.wikipedia.org/wiki/Lhamo" rel="wikipedia" style="border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-size: 12px; font-weight: bold; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Lhamo"&gt;Lhamo&lt;/a&gt;‘s intensely aggressive style of healing, Dr Peters seems to be in awe of her magical abilities and her para normal knowledge. Peters interprets Lhamo’s violent exorcisms as psychothera-peutic procedures aimed at breaking down the patient’s ego defenses and introducing psychological crisis. A full length chapter is devoted to Karga Puja ritual, a dramatic event, successful in treating indigenous categories of mental illness. The book ends with a survey of shamanism and medicine in developing Nepal. Shamanism, Dr. Peters suggests, is not antithetical to modern medicine. “In fact with proper training the shamans can even come to spread medical aid inasmuch as they already recognize their limitations in the treating of certain illness and take an active part in getting their clients to seek such treatment”.&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;&lt;a href="http://niralapublications.com/non-fiction/trance/"&gt;http://niralapublications.com/non-fiction/trance/&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;&lt;em&gt;&amp;nbsp;Other book by the same aothor,&amp;nbsp;&lt;span style="text-decoration: underline;"&gt;Tamang Shamans: An Ethnopsychiatric Study Of Ecstasy And Healing In Nepal&lt;/span&gt;&amp;nbsp;by Larry Peters.&lt;/em&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;&lt;strong&gt;&lt;img alt="" class="alignnone" height="426" src="http://www.tibetanshaman.com/shmn.jpg" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: auto; margin-right: auto; margin-top: 1.5em;" width="346" /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;&lt;strong&gt;Cover photo of the book.&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;&lt;strong&gt;&lt;img alt="" class="alignnone" height="297" src="http://www.tibetanshaman.com/lpdrum.jpg" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: auto; margin-right: auto; margin-top: 1.5em;" width="400" /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #222222; font-family: 'Lucida Grande', 'Lucida Sans Unicode', Verdana, sans-serif; font-size: 12px; line-height: 22px; margin-bottom: 2em; margin-left: 0px; margin-right: 0px; margin-top: 0.7em;"&gt;&lt;strong&gt;Dr. Larry Peters&lt;/strong&gt;&amp;nbsp;&amp;nbsp;is a world renowned scholar and initiated shaman in the&amp;nbsp;&lt;a class="zem_slink" href="http://en.wikipedia.org/wiki/Tibetan_Buddhism" rel="wikipedia" style="border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-size: 12px; font-weight: bold; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Tibetan Buddhism"&gt;Tibetan tradition&lt;/a&gt;. He was the recipient of the Regent’s Fellowship at the University of California and a post-doctoral fellow of the National Institute of Mental Health. Dr. Peters holds advance degrees in both Anthropology and Psychology. He has conducted ethnographic fieldwork in Nepal, China, Mongolia, and Siberia and is a research associate of the Foundation for Shamanic Studies.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-8664193524050297117?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/8664193524050297117/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2011/01/trance-initiation-psychotherapy-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/8664193524050297117'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/8664193524050297117'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2011/01/trance-initiation-psychotherapy-in.html' title='Trance, Initiation &amp; Psychotherapy in Nepalese Shamanism By Larry G. Peters'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-6010951192611349323</id><published>2010-11-20T18:03:00.000-08:00</published><updated>2010-11-20T18:03:02.535-08:00</updated><title type='text'>Part 2 -- Yuyutsu Sharma launches David Austell's Little Creek and Other Poems published by Nirala Publications, New Delhi</title><content type='html'>&lt;div class="UIIntentionalStory_Header" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px;"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="UIStory_Message"&gt;Part 2 -- Yuyutsu Sharma launches David Austell's Little Creek and Other Poems published by Nirala Publications, New Delhi&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;attach&amp;quot;}" id="" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; margin-bottom: 5px; margin-top: 6px; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIStoryAttachment_Media UIStoryAttachment_MediaSingle" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;media&amp;quot;}" style="float: left; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIMediaItem"&gt;&lt;a ajaxify="/ajax/flash/expand_inline.php?share_id=103898436350829&amp;amp;streams_div=div_story_625072004_103898436350829&amp;amp;target_div=div_story_625072004_103898436350829_swf" class="uiVideoThumb" href="http://www.facebook.com/profile.php?id=1777401767" id="div_story_625072004_103898436350829_swf" rel="async" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b5998; cursor: pointer; display: block; overflow-x: hidden; overflow-y: hidden; position: relative; text-decoration: none;"&gt;&lt;img class="img" src="http://external.ak.fbcdn.net/safe_image.php?d=d498ed84b311152904c57e477bd99512&amp;amp;w=130&amp;amp;h=130&amp;amp;url=http%3A%2F%2Fi.ytimg.com%2Fvi%2FxZB0NiKD2As%2F1.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: inline-block; max-width: 130px;" /&gt;&lt;i style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://static.ak.fbcdn.net/rsrc.php/zr/r/XXVvDYAks_i.png); background-origin: initial; background-position: 0px 0px; background-repeat: no-repeat no-repeat; bottom: 0px; height: 32px; left: 0px; position: absolute; width: 39px;"&gt;&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Info " style="display: table;"&gt;&lt;div class="UIStoryAttachment_Title" style="font-weight: bold; padding-top: 3px;"&gt;&lt;a href="http://www.youtube.com/watch?v=xZB0NiKD2As" id="" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;Book Launch : David Austell's Little Creek and Other Poems Part 2&lt;/a&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Caption" style="color: grey; padding-top: 3px;"&gt;&lt;a href="http://www.youtube.com/" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;www.youtube.com&lt;/a&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Copy" style="color: grey; padding-bottom: 3px; padding-left: 0px; padding-right: 0px; padding-top: 3px;"&gt;20 November, 2010 2 pm Yuyutsu Sharma launches David B. Austell's "Little Creek &amp;amp; Other Poems" Video By Sahadev Poudel for Himali Sworharu&amp;nbsp;&lt;a href="http://www.nepaliradio.org/" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;www.nepaliradio.org&lt;/a&gt;&amp;nbsp;New York, NY David Austell's Little Creek &amp;amp; Other Poems Several fellow poets read from the book, and there&lt;span class="text_exposed_show" style="display: inline;"&gt;&amp;nbsp;was live music and multi-medi&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-6010951192611349323?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/6010951192611349323/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2010/11/part-2-yuyutsu-sharma-launches-david.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6010951192611349323'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6010951192611349323'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2010/11/part-2-yuyutsu-sharma-launches-david.html' title='Part 2 -- Yuyutsu Sharma launches David Austell&apos;s Little Creek and Other Poems published by Nirala Publications, New Delhi'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-6832423414140341921</id><published>2010-11-20T17:46:00.000-08:00</published><updated>2010-11-20T17:48:02.194-08:00</updated><title type='text'>Yuyutsu Sharma launches David Austell's Little Creek and Other Poems published by Nirala Publications, New Delhi</title><content type='html'>&lt;div class="UIIntentionalStory_Header" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px;"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="UIIntentionalStory_Names" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;name&amp;quot;}" style="color: grey;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h3&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="UIIntentionalStory_Names" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;name&amp;quot;}" style="color: grey;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="UIStory_Message"&gt;Yuyutsu Sharma launches David Austell's Little Creek and Other Poems published by Nirala Publications, New Delhi&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;attach&amp;quot;}" id="" style="font-size: 11px; margin-bottom: 5px; margin-top: 6px; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIStoryAttachment_Media UIStoryAttachment_MediaSingle" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;media&amp;quot;}" style="color: #333333; float: left; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIMediaItem"&gt;&lt;a ajaxify="/ajax/flash/expand_inline.php?share_id=114148141986160&amp;amp;streams_div=div_story_1983733584_114148141986160&amp;amp;target_div=div_story_1983733584_114148141986160_swf" class="uiVideoThumb" href="http://www.facebook.com/profile.php?id=1777401767" id="div_story_1983733584_114148141986160_swf" rel="async" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b5998; cursor: pointer; display: block; overflow-x: hidden; overflow-y: hidden; position: relative; text-decoration: none;"&gt;&lt;img class="img" src="http://external.ak.fbcdn.net/safe_image.php?d=73f70b06a6fca74c30e3f827ad812325&amp;amp;w=130&amp;amp;h=130&amp;amp;url=http%3A%2F%2Fi.ytimg.com%2Fvi%2FBpePPozAMpM%2F0.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: inline-block; max-width: 130px;" /&gt;&lt;i style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://static.ak.fbcdn.net/rsrc.php/zr/r/XXVvDYAks_i.png); background-origin: initial; background-position: 0px 0px; background-repeat: no-repeat no-repeat; bottom: 0px; height: 32px; left: 0px; position: absolute; width: 39px;"&gt;&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Info " style="display: table;"&gt;&lt;div class="UIStoryAttachment_Title" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-weight: bold; padding-top: 3px;"&gt;&lt;a href="http://www.youtube.com/watch?v=BpePPozAMpM" id="" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;A Book Launch Little Creek &amp;amp; Other Poems By David AustellPart 1&lt;/a&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Caption" style="color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; padding-top: 3px;"&gt;&lt;a href="http://www.youtube.com/" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;www.youtube.com&lt;/a&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Copy" style="color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; padding-bottom: 3px; padding-left: 0px; padding-right: 0px; padding-top: 3px;"&gt;20 November, 2010 2 pm Yuyutsu Sharma launches David B. Austell's "Little Creek &amp;amp; Other Poems" Video By Sahadev Poudel for Himali Sworharu&amp;nbsp;&lt;a href="http://www.nepaliradio.org/" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;www.nepaliradio.org&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="UIStoryAttachment_Copy" style="padding-bottom: 3px; padding-left: 0px; padding-right: 0px; padding-top: 3px;"&gt;&lt;div style="color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif;"&gt;&lt;span class="text_exposed_show" style="display: inline;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="watch-info-description-head" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0.5em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="text_exposed_show" style="display: inline;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"&gt;&lt;a class="watch-description-username" href="http://www.youtube.com/user/NepaliTV" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #0033cc; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;NepaliTV&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;&lt;span class="watch-description-separator" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #cccccc; font-size: 11px; margin-bottom: 0px; margin-left: 0.75em; margin-right: 0.75em; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;|&lt;/span&gt;&amp;nbsp;&lt;span class="watch-video-date" id="eow-date" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #999999; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;November 20, 2010&amp;nbsp;&lt;/span&gt;&lt;span class="watch-description-separator" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #cccccc; font-size: 11px; margin-bottom: 0px; margin-left: 0.75em; margin-right: 0.75em; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;|&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div id="eow-description" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: grey; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-6832423414140341921?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/6832423414140341921/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2010/11/yuyutsu-sharma-launches-david-austells.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6832423414140341921'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6832423414140341921'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2010/11/yuyutsu-sharma-launches-david-austells.html' title='Yuyutsu Sharma launches David Austell&apos;s Little Creek and Other Poems published by Nirala Publications, New Delhi'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-521112624316815352</id><published>2010-11-19T19:58:00.000-08:00</published><updated>2010-11-19T19:58:04.905-08:00</updated><title type='text'>David Austell reading from Little Creek (Nirala) at NYU Bookstore</title><content type='html'>&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: 11px;"&gt;&lt;div class="UIIntentionalStory_Header"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="UIIntentionalStory_Names" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;name&amp;quot;}" style="color: grey;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="UIStory_Message"&gt;David Austell reading from Little Creek (Nirala) at NYU Bookstore&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;attach&amp;quot;}" id="" style="margin-bottom: 5px; margin-top: 6px; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIStoryAttachment_Media UIStoryAttachment_MediaSingle" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;media&amp;quot;}" style="float: left; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIMediaItem"&gt;&lt;a ajaxify="/ajax/flash/expand_inline.php?share_id=170855599611256&amp;amp;streams_div=div_story_1380027146_170855599611256&amp;amp;target_div=div_story_1380027146_170855599611256_swf" class="uiVideoThumb" href="http://www.facebook.com/profile.php?id=1777401767" id="div_story_1380027146_170855599611256_swf" rel="async" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b5998; cursor: pointer; display: block; overflow-x: hidden; overflow-y: hidden; position: relative; text-decoration: none;"&gt;&lt;img class="img" src="http://external.ak.fbcdn.net/safe_image.php?d=e698f9e2652b5542dad123ec325a9eeb&amp;amp;w=130&amp;amp;h=130&amp;amp;url=http%3A%2F%2Fi.ytimg.com%2Fvi%2FknbHQ2OYMAo%2F0.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; max-width: 130px;" /&gt;&lt;i style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://static.ak.fbcdn.net/rsrc.php/zr/r/XXVvDYAks_i.png); background-origin: initial; background-position: 0px 0px; background-repeat: no-repeat no-repeat; bottom: 0px; height: 32px; left: 0px; position: absolute; width: 39px;"&gt;&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Info " style="display: table;"&gt;&lt;div class="UIStoryAttachment_Title" style="font-weight: bold; padding-top: 3px;"&gt;&lt;a href="http://www.youtube.com/watch?v=knbHQ2OYMAo" id="" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;David Austell NYU Bookstore Video.MOV&lt;/a&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Caption" style="color: grey; padding-top: 3px;"&gt;&lt;a href="http://www.youtube.com/" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank"&gt;www.youtube.com&lt;/a&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Copy" style="color: grey; padding-bottom: 3px; padding-left: 0px; padding-right: 0px; padding-top: 3px;"&gt;American educator and poet David Austell reading his poem, "Above Tantulus" from his new book, "Little Creek and other Poems" at NYU Bookstore, New York. This is David Austell's debut collection of poems published by Nirala Publications, New Delhi. "An impressive an&lt;span class="text_exposed_show" style="display: inline;"&gt;d wide-ranging intelligence pe&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/h3&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-521112624316815352?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/521112624316815352/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2010/11/david-austell-reading-from-little-creek.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/521112624316815352'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/521112624316815352'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2010/11/david-austell-reading-from-little-creek.html' title='David Austell reading from Little Creek (Nirala) at NYU Bookstore'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-7695578629990887867</id><published>2010-11-17T08:01:00.001-08:00</published><updated>2010-11-17T19:44:07.436-08:00</updated><title type='text'>Diane Hamilton's Lizard Licking, Donegal &amp; Other Poems</title><content type='html'>&lt;div class="uiHeader uiHeaderBottomBorder mbm" style="border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; margin-bottom: 10px; padding-bottom: 0.5em;"&gt;&lt;div class="clearfix uiHeaderTop" style="color: #333333; display: block; zoom: 1;"&gt;&lt;div&gt;&lt;h2 class="uiHeaderTitle" style="color: #1c2a47; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Diane Hamilton's Lizard Licking, Donegal &amp;amp; Other Poems&lt;/h2&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;h2 class="uiHeaderTitle" style="color: #1c2a47; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-size: 11px; font-weight: normal; line-height: 16px;"&gt;&lt;em&gt;Lizard Licking, Donegal&lt;/em&gt;&amp;nbsp;is a exciting anthology of poems from a fresh American voice.&lt;/span&gt;&lt;/h2&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="mbl notesBlogText clearfix" style="color: #333333; display: block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 20px; padding-right: 100px; word-wrap: break-word; zoom: 1;"&gt;&lt;div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;Hammering on words in isolation, Diane Hamilton here weaves a myth of a family, of love and loss.&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;Solemn and tragic, these very American poems attempt to seek roots of a family, of a father who got lost in the neighboring street, of a mother who was Job’s comforter, of a friend who died in an explosion.&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;Diane has power to be intense without being melodramatic, of remaining passionate without being obtuse or erudite. “Like a tropical breeze,” her poems are “slow and patient /like a worm, /like the wind.”&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;Simplicity of Diane’s voice will win the hearts of the readers she has won over many&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;continents.&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;Diane Hamilton’s distinctive voice and imaginative, inventive poems will surprise you.&amp;nbsp;&amp;nbsp;Her surreal images and moving poems of love and passion, birth and rebirth, carry the art of writing poetry to exciting new locales—everywhere from&amp;nbsp;Ireland&amp;nbsp;to the prom in&amp;nbsp;Jim Thorpe&amp;nbsp;and late night surgery at the Heartbreak Motel.&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;--Barbara Daniels&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;Nirala ISBN - 81-81-8250-033-8 2011 Paper&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;/div&gt;&lt;div class="photo photo_none" style="clear: both; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div class="photo_img" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;form action="http://www.facebook.com/ajax/ufi/modify.php" ajaxify="1" class="commentable_item autoexpand_mode" method="post" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div style="color: #333333;"&gt;&lt;span class="UIActionLinks UIActionLinks_bottom" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;action&amp;quot;}" style="color: #999999;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs965.snc4/75882_1216657194714_1777401767_397212_6481632_n.jpg" /&gt; &lt;/span&gt;&lt;br /&gt;&lt;div style="color: #333333;"&gt;&lt;span class="UIActionLinks UIActionLinks_bottom" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;action&amp;quot;}" style="color: #999999;"&gt;&lt;br /&gt;&amp;nbsp;·&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/form&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-7695578629990887867?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/7695578629990887867/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2010/11/diane-hamiltons-lizard-licking-donrgal.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7695578629990887867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7695578629990887867'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2010/11/diane-hamiltons-lizard-licking-donrgal.html' title='Diane Hamilton&apos;s Lizard Licking, Donegal &amp; Other Poems'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-7255964515897423943</id><published>2010-11-12T17:14:00.000-08:00</published><updated>2010-11-13T17:40:42.810-08:00</updated><title type='text'>Yuyutsu Sharma to launch David B. Austell's "Little Creek &amp; Other Poems"</title><content type='html'>&lt;img alt="Nirala Publications" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs429.ash2/70843_1777401767_1969321_n.jpg" /&gt;&lt;br /&gt;&lt;a href="http://www.bowerypoetry.com/#Event/94818"&gt;http://www.bowerypoetry.com/#Event/94818&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Yuyutsu Sharma to launch David B. Austell's "Little Creek &amp;amp; Other Poems"&lt;br /&gt;&lt;div class="Event" id="Event_94818_Wrapper" style="font-family: Georgia; font-size: 12px; padding-bottom: 20px;"&gt;&lt;div id="Event_94818_Basic"&gt;&lt;h3 class="Subsection" style="border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; font-size: 18px; font-weight: normal; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 3px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Bowery Poetry Cafe, New York&lt;/h3&gt;&lt;div&gt;20 November, 2010 2 pm&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td style="padding-right: 15px;" width="400"&gt;&lt;div style="font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-family: tahoma, verdana, arial, sans-serif; font-size: medium;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;table class="uiInfoTable mvm profileInfoTable mvm mvm" style="border-bottom-width: 0px; border-collapse: collapse; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-top-width: 0px; margin-bottom: 10px; margin-top: 10px; width: 493px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="data" style="font-size: 11px; line-height: 15px; padding-bottom: 1px; padding-left: 0px; padding-right: 0px; padding-top: 3px; text-align: left; vertical-align: top;"&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;308 Bowery (between Houston and Bleecker)&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;New York, NY&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px;"&gt;&lt;span class="Apple-style-span" style="font-family: tahoma, verdana, arial, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding-bottom: 10px;"&gt;&lt;div style="padding-left: 15px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px;"&gt;David Austell's&lt;br /&gt;&lt;br /&gt;Little Creek &amp;amp; Other Poems&lt;br /&gt;&lt;br /&gt;Several fellow poets will read from the book, and there will be&lt;br /&gt;live music and multi-media.&lt;br /&gt;&lt;br /&gt;Little Creek is an astonishing anthology of poems from well-known American educator and poet, David B Austell&lt;br /&gt;&lt;br /&gt;Containing the best of Austell's work written over a decade, Little Creek begins with memories of his childhood in a small American town set against the backdrop of Vietnam and other wars, reminiscent of Robert Lowell's Life Studies. The poems range from a meeting with a namesake in his afterlife, the morning star over a Protestant valley, a last day at Lake Baikal, the inheritance of wars thrust upon his nation and the people, an Indian student reminding him of the immense gulf between East and West, and finally to poems inspired by an imagined NASA conquest of Olympus Mons. Establishing Austell as a master craftsman, the 'roaring turbulence' of these poems will, for sure, leave his readers breathless.&lt;br /&gt;&lt;br /&gt;For Austell is a poet who takes his vocation seriously, filling the gulfs and gaps between far-flung worlds with the incantations of his prayer-like poems. Vibrant from a contemporary American idiom, and voluptuous as 'her long legs and round hips', these poems are at the same time 'thin as a strand of DNA'.&lt;br /&gt;&lt;br /&gt;"An impressive and wide-ranging intelligence permeates David Austell's ambitious first book of poems. Austell is a new poet with a seasoned soul, and the treasures of this collection are manifold and rich. He has a gift for narrative, a sharp eye for detail, and a passion for language.&lt;br /&gt;&lt;br /&gt;Austell writes from both the head and the heart, and the poems that result are capacious, and substantial enough to reward rereading. Here is a bold, promising debut ."&lt;br /&gt;&lt;br /&gt;Deborah Landau, Director, NYU Creative Writing Program, poet and author (Orchidelerium), New York University, United States&lt;br /&gt;&lt;br /&gt;"David's poems are complex, yet concise and genuine, as in his 'A Ghost Among Ghosts', where he evokes the culture and history of Asheville, North Carolina with both knowledge and compassion."&lt;br /&gt;&lt;br /&gt;Pierce Pettis, songwriter and recording artist (Compass Records), Nashville, Tennessee, United States&lt;br /&gt;&lt;br /&gt;"Austell is equally at home waiting for the New York subway, on Mars, and under the waters of the Chesapeake Bay. To each setting he brings verve, compassion and imagination. He makes&lt;br /&gt;the reader laugh, and he makes the reader care. Poems to be read and re-read.&lt;br /&gt;&lt;br /&gt;Christopher Southgate, British editor and poet (Easing the Gravity Field), Dartmoor, United Kingdom&lt;br /&gt;&lt;br /&gt;"Austell's is a world beyond heights, a passion not only for the earth but also for the spheres beyond it. Here's a voice that's steady and sanguine, earthly and sublime, contemporary and timeless, a voice rising above all polarities, singing songs of unattainable and imagined summits, fervent hymns in praise of globes nameless to the human imagination..."&lt;br /&gt;&lt;br /&gt;Yuyutsu Sharma, poet (Space Cake Amsterdam; Annapurna Poems) and editor, Nirala Series&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-7255964515897423943?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/7255964515897423943/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2010/11/book-launch-david-b-austells-little.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7255964515897423943'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7255964515897423943'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2010/11/book-launch-david-b-austells-little.html' title='Yuyutsu Sharma to launch David B. Austell&apos;s &quot;Little Creek &amp; Other Poems&quot;'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-4948591195264765828</id><published>2009-12-27T11:01:00.000-08:00</published><updated>2010-01-11T08:27:32.296-08:00</updated><title type='text'>Baghdad, February1991 and Other Poems by Ronny Someck</title><content type='html'>&lt;span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="note_header" style="-webkit-background-clip: initial; -webkit-background-origin: initial; background-attachment: initial; background-color: #f7f7f7; background-image: initial; background-position: initial initial; background-repeat: initial; border-bottom-color: rgb(216, 223, 234); border-bottom-style: solid; border-bottom-width: 1px; border-top-color: rgb(59, 89, 152); border-top-style: solid; border-top-width: 1px; padding-bottom: 5px; padding-left: 6px; padding-right: 6px; padding-top: 4px;"&gt;&lt;div class="note_title_share clearfix" style="display: block;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 13px; line-height: 15px;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Arial;"&gt;&lt;span style="font-weight: normal; line-height: normal;"&gt;&lt;span style="font-family: 'Times New Roman';"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="share_and_hide clearfix" style="display: block; float: right; font-size: 9px;"&gt;&lt;a class="share share_a" href="http://www.facebook.com/ajax/share_dialog.php?s=4&amp;amp;appid=2347471856&amp;amp;p[]=1777401767&amp;amp;p[]=247221278553" rel="dialog" style="-webkit-background-clip: initial; -webkit-background-origin: initial; background-attachment: initial; background-color: white; background-image: url(http://b.static.ak.fbcdn.net/rsrc.php/z2GOE/hash/ebqvjyrq.png); background-position: 100% -355px; background-repeat: no-repeat; border-bottom-color: rgb(127, 147, 188); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(127, 147, 188); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(127, 147, 188); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(127, 147, 188); border-top-style: solid; border-top-width: 1px; color: #3b5998; cursor: pointer; padding-bottom: 1px; padding-left: 4px; padding-right: 14px; padding-top: 0px; text-decoration: none;" title="Send this to friends or post it on your profile."&gt;Sh&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="note_content text_align_ltr direction_ltr clearfix" style="clear: both; direction: ltr; display: block; margin-left: 6px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: left; width: 460px; word-wrap: break-word;"&gt;&lt;div style="clear: none; line-height: 14px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;img alt="Baghdad, February 1991 &amp;amp; other poems /" src="http://www.dkagencies.com//images/booksimages/DK_9999NFIO_large.jpg" /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;Baghdad, February 1991&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="clear: none; line-height: 14px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-size: medium;"&gt;&amp;amp; Other Poems by Ronny Someck&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A Bilingual Nepali /English Edition&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Translated into Nepali by&lt;br /&gt;Yuyutsu RD Sharma&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;ISBN 81-8250- 018-4 2009 Hard pp.200 Rs. 250&lt;br /&gt;&lt;br /&gt;Baghdad, February 1991 is a moving&lt;br /&gt;evocation of the lives spent in the times&lt;br /&gt;of love and war.&lt;br /&gt;&lt;br /&gt;Reading renowned Hebrew poet Ronny Someck can be an intriguing experience. Here are poems of controlled rage and tender love, unleashing hidden fears and angst of a nation living in the shadow of endless violence and bloodshed.&lt;br /&gt;&lt;br /&gt;Distinguished poet Yuyutsu RD Sharma for first time translates a major Hebrew voice into Nepali, transporting Ronny’s poetic splendor to Himalayas. The book is a celebration of the Hebrew poet’s Whitmanseque extension of the line that takes a magical twist, leaving the readers breathless.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;“Reading Ronny Someck’s fascinating&lt;br /&gt;Work, I came upon ’Bliss,’ a poem that can serve&lt;br /&gt;as a wedding toast throughout the world”.&lt;br /&gt;&lt;br /&gt;-Wislawa Szymborska&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Distinguished Hebrew poet, Ronny Someck was born in Baghdad in 1951. He came to Israel as a young child. He studied Hebrew literature and philosophy at Tel Aviv University and drawing at the Avni Academy of Art. Someck has worked with street gangs, and currently teaches literature and leads creative writing workshops.&lt;br /&gt;Author of nine volumes of poetry (The last, “The Milk Underground”) and book for children with his daughter Shirly (“The Laughter Button”), he has been translated into 39 languages. Selections of his poems have appeared in Arabic translation, French (with the exile Iraqi poet- A.K. El-Janabi), Catalan, Albanian, Italian, Macedonian, Yiddish, Croatian and English.&lt;br /&gt;Recipient of the Prime Minister’s Award, the Yehuda Amichai Award for Hebrew Poetry, the ”Wine Poem Award” in Struga Poetry Evenings, Macedonia, 2005 and Hans Berghhuis prize for poetry 2006 in the Maastricht International Poetry Nights, Holland. Someck has recorded with the musician Elliott Sharp 3 CD’s: “Revenge of the stuttering Child”, “Poverty Line” and “Short History of Vodka.” In 1998, he made an exhibition “Nature’s Factory, Winter 2046” with Beny Efrat in Israel Museum. Similarly, his exhibitions, ”Hawadja Bialik”(2004) and ”Rehal Madrid (2007) took place in The Museum of Israeli Art, Ramat-Gan.&lt;br /&gt;He is a member of the Public Council of Batsheva Dance Company and the Hebrew- Arabic Theatre He lives in Ramat-Gan with his wife and daughter.&lt;br /&gt;&lt;br /&gt;Recipient of fellowships and grants from The Rockefeller Foundation, Ireland Literature Exchange, and The Foundation for the Production and Translation of Dutch Literature, Yuyutsu RD Sharma is a distinguished poet and translator. He has published seven poetry collections, including, Annapurna Poems, (Nirala, New Delhi 2008), Everest Failures (White Lotus Book Shop, Kathmandu, 2008) www.WayToEverest.de: A photographic and Poetic Journey to the Foot of Everest, (Epsilonmedia, Germany, 2006) with German photographer Andreas Stimm and a translation of Irish poet Cathal O’ Searcaigh poetry in Nepali in a bilingual collection entitled, Kathmandu: Poems: Selected and New.&lt;br /&gt;&lt;br /&gt;Yuyutsu has translated and edited several anthologies of contemporary Nepali poetry in English and launched a literary movement, Kathya Kayakalpa (Content Metamorphosis) in Nepali poetry.&lt;br /&gt;Widely traveled author, he has read his works at several prestigious places including Poetry Café, London, Seamus Heaney Center for Poetry, Belfast, Western Writers’ Center, Galway, Bowery Poetry Place, New York, Knox College, Illinois, Whittier College, California, Baruch College, New York, WB Yeats’ Center, Sligo, Gustav Stressemann Institute, Bonn, Rubin Museum, New York, Irish Writers’ Centre, Dublin, The Guardian Newsroom, London, Arnofini, Bristol, Borders, London, Royal Society of Dramatic Arts, London, Gunter Grass House, Bremen, GTZ, Kathmandu, Ruigoord, Amsterdam, Nehru Center, London, Frankfurt Book Fair, Frankfurt, Indian International Center, New Delhi, and Villa Serbelloni, Italy. He has held workshop in creative writing and translation at Queen’s University, Belfast, and South Asian Institute, Heidelberg University, Germany.&lt;br /&gt;His works have appeared in Poetry Review, Chanrdrabhaga, Sodobnost, Amsterdam Weekly, Indian Literature, Irish Pages, Omega, Howling Dog Press, Exiled Ink, Iton77, Little Magazine, The Telegraph, Indian Express and Asiaweek.&lt;br /&gt;Born at Nakodar, Punjab, he was educated at Baring Union Christian College, Batala and later at Rajasthan University, Jaipur.&lt;br /&gt;The Library of Congress has nominated his recent book of Nepali translations entitled Roaring Recitals; Five Nepali Poets as Best Book of the Year 2001 from Asia under the Program, A World of Books International Perspectives.&lt;br /&gt;Yuyutsu’s own work has been translated into German, French, Italian, Slovene, Hebrew, Spanish and Dutch. He edits Pratik, A Magazine of Contemporary Writing and contributes literary columns to Nepal’s leading daily, The Himalayan Times . He has completed his first novel.&lt;br /&gt;More: www.yuyutsu.de&lt;br /&gt;&lt;br /&gt;N I R A L A S E R I E S&lt;br /&gt;www.yuyutsu.de&lt;br /&gt;www.niralapublications.com&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-4948591195264765828?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/4948591195264765828/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/12/new-translation-by-yuyutsu-sharma.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4948591195264765828'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4948591195264765828'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/12/new-translation-by-yuyutsu-sharma.html' title='Baghdad, February1991 and Other Poems by Ronny Someck'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-6725370807505881152</id><published>2009-10-31T20:29:00.000-07:00</published><updated>2009-10-31T20:29:17.013-07:00</updated><title type='text'>Annapurnas and Stains of Blood: Life Travels and Writing on a Page of Snow--New Nirala Book available at Store</title><content type='html'>&lt;span class="Apple-style-span" style="color: #333333; font-family: Georgia, serif; font-size: 13px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="post-body entry-content" style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="UIIntentionalStory_Header"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; line-height: 1.4em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;div class="post-body entry-content" style="line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="UIIntentionalStory_Header"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; line-height: 1.4em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="text_exposed_root text_exposed" id="id_4ada16167e2321555870213" style="display: inline;"&gt;&lt;i&gt;Annapurnas and Stains of Blood: Life Travels and Writing on a Page of Snow&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;A highly engrossing account of world’s youngest republic passing through great historic transformation.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Internationally known poet and columnist for several dailies including Th&lt;/span&gt;&lt;span style="display: inline;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;e Himalayan Times and The Kathmandu Post, Yuyutsu RD Sharma for the first time brings alive the secret commotion behind the great change in Himalayan nation that the whole world has been watching curiously. In his lucent prose, he puts together his best to unleash the myriad colors of violence in the contemporary Nepal and in the rest of the world during his legendry travels.&lt;br /&gt;&lt;br /&gt;Terror on the deserted Nepalese highways, merciless butchering of innocent Nepali workers in Baghdad, dismal day of London Bombing, murder of Theo van Gogh, the State of emergency in India, the book captures rare moments in contemporary history that readers would treasure not just for themselves but for the posterity.&lt;br /&gt;&lt;br /&gt;Here you will find a distinguished poet churning out his best prose, at best of his poetic capabilities.&lt;br /&gt;&lt;br /&gt;ISBN81-8250-012-5&lt;br /&gt;Published by Nirala Publications New Delhi-2 2010 Price:395 Non- Fiction Hard Cover&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;attach&amp;quot;}" style="margin-bottom: 5px; margin-top: 6px; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIStoryAttachment_Media UIStoryAttachment_MediaSingle" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;media&amp;quot;}" style="float: left; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIMediaItem UIMediaItem_Photo"&gt;&lt;a href="http://www.facebook.com/photo.php?pid=3318438&amp;amp;id=726826219" onclick="ft(&amp;quot;4:9:7:726826219::::0::::162809201219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;div class="UIMediaItem_Wrapper" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;"&gt;&lt;img alt="" src="http://photos-a.ak.fbcdn.net/hphotos-ak-snc1/hs241.snc1/8827_162809021219_726826219_3318438_6593649_s.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; border-width: initial; display: block; padding-bottom: 4px; padding-left: 4px; padding-right: 4px; padding-top: 4px; vertical-align: middle;" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Title" style="font-weight: bold; padding-top: 3px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;attach&amp;quot;}" style="margin-bottom: 5px; margin-top: 6px; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-6725370807505881152?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/6725370807505881152/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/annapurnas-and-stains-of-blood-life_31.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6725370807505881152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/6725370807505881152'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/annapurnas-and-stains-of-blood-life_31.html' title='Annapurnas and Stains of Blood: Life Travels and Writing on a Page of Snow--New Nirala Book available at Store'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-4951320015232184966</id><published>2009-10-31T20:16:00.000-07:00</published><updated>2009-10-31T20:16:22.052-07:00</updated><title type='text'>Roaring Recitals-- Nirala book share</title><content type='html'>&lt;span style="color: #333333; font-family: 'trebuchet ms', verdana, arial, sans-serif; font-size: small;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-size: 13px; line-height: 18px;"&gt;&lt;img src="http://niralapublications.com/images/22.jpg" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #333333; font-family: 'trebuchet ms', verdana, arial, sans-serif; font-size: small;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; color: #333333; font-family: 'trebuchet ms', verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;Roaring Recitals&lt;br /&gt;&lt;i&gt;Five Nepali Poets Translated from the Nepali&lt;br /&gt;by&amp;nbsp;&lt;/i&gt;&lt;b&gt;&lt;i&gt;Yuyutsu RD Sharma&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;ISBN81-85693-95-1 1999 Hardcover pp.99&lt;br /&gt;Rs.150 Indian&lt;i&gt;&lt;br /&gt;Roaring Recitals&amp;nbsp;&lt;/i&gt;is a stunning anthology revealing the range and power of contemporary Nepalese imagination.&lt;br /&gt;&lt;br /&gt;Translated into English for the first time by well-known poet Yuyutsu R.D, active in Nepal’s literary life for last two decades, this is a ground-breaking volume of solemn rage displaying richness and diversity of Nepali poetry.&lt;br /&gt;Since politics has always played a decisive role in every field of Nepal, including literature, Yuyustu R.D. translated a selection of five major Nepali poets who have in some way or the other shattered ugly castles of orthodoxy and autocracy to usher modernism in the life and literature Nepali. For it’s Gopal Prasad Rimal who liberated Nepali literature from the shackles of traditional Sanskrit usage and meter and initiated a tradition of prose poems, employing native symbols and folklore, to voice the agony of Nepalese people suffering at the hands of Rana oligarchy.&lt;br /&gt;&amp;nbsp;Following footsteps of Rimal, we find Bhupi Sherchan, Banira Giri, Shailendra Sakar and Bimal Nibha raise their voice against the despotic partyless Panchayat regime. Here Bhupi Sherchan evokes the geopolitical compulsion of Nepal to remain a non-entity and raises delicate questions of nationalism, sovereignty and a liberated prosperous Nepal, Banira employs man-woman relations to clean the vicious webs of despots and “missile makers,” Sakar discovers the anguish of discarded communities to restore the dignity of the poet from the clutches of Establishment and Nibha flings stones of fury at “soft-nailed civilians”, the Panchayat demons, to dramatise the interplay of “tears and blood.”&lt;br /&gt;&lt;i&gt;Roaring Recitals&lt;/i&gt;&amp;nbsp;is a dazzling treasure that shall interest those readers worldwide who are curious to acquaint themselves with a secret flame of vitality, a creative turbulence that has remained at the center of modern Nepal’s creative life.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-4951320015232184966?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/4951320015232184966/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/roaring-recitals-nirala-book-share.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4951320015232184966'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4951320015232184966'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/roaring-recitals-nirala-book-share.html' title='Roaring Recitals-- Nirala book share'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-3297244989439525594</id><published>2009-10-31T19:58:00.000-07:00</published><updated>2009-10-31T20:22:14.118-07:00</updated><title type='text'>After Tagore-- by David Ray- New Book share</title><content type='html'>&lt;img src="http://niralapublications.com/images/9.jpg" /&gt;&lt;br /&gt;&lt;span style="font-family: 'Book Antiqua';"&gt;&lt;span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman'; font-size: medium; font-style: normal; font-weight: normal;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Book Antiqua';"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Book Antiqua';"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Book Antiqua';"&gt;&lt;b&gt;&lt;i&gt;&lt;div class="MsoNormal" style="line-height: 15.6pt; margin-bottom: 10pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="color: black; font-family: 'Book Antiqua';"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="color: blue; font-style: italic; font-weight: bold; line-height: normal;"&gt;Tagore: Poems Inspired by&amp;nbsp;Rabindranath Tagore&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="color: blue;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;by David Ray&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse;"&gt;&lt;i&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;After Tagore&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;is a vibrant volume by one of the most powerful living&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;American poets&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;. Here, in his twenty-second book, Ray conjures the magic of his master Tagore and brings alive the forgotten fragrances of the Indian landscape for his readers worldwide. Ray explores, elaborates, transposes and engages his own thoughts in dialogue with those of Tagore to celebrate the elemental simplicity of human endeavors. Poet and editor Yuyutsu RD Sharma writes: “Ray’s Tagore poems take us to a larger tradition and Tagore turns out to be a vital door.”&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; line-height: 20px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;David Ray has published more than 20 books. Following the release of "When," Ray's latest poetry collection, African novelist&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Chinua Achebe&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;hailed him as "among the best half-dozen poets in the English language today." Ray's 2004 collection, "The&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Death of Sardanapalus&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;and Other Poems of the&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Iraq Wars&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;," was praised by&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;literary critic&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;F.D. Reeve as "the skilled work of a craftsman whose poems cry out against the barbarism of war and the stupid cruelties of those who make it." In the 1960s, Ray was one of the founders of&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;American Writers Against the Vietnam War&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;and co-edited, with&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Robert Bly&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;, "A&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Poetry Reading&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;Against the&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Vietnam War&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;." Ray has received numerous&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;literary awards&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;, and he has taught in the United States, India, Australia and New Zealand&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;.&lt;/span&gt;&lt;/i&gt;&lt;span style="color: blue; font-style: italic; line-height: normal;"&gt;&lt;span style="font-style: normal;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse;"&gt;&lt;span style="font-family: 'Book Antiqua';"&gt;&lt;span style="font-size: x-small;"&gt;Hardcover, 120 pp. including Preface by Ray.&lt;br /&gt;Rs. 295 Indian&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-3297244989439525594?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/3297244989439525594/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/after-tagore-by-david-ray-new-book_31.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/3297244989439525594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/3297244989439525594'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/after-tagore-by-david-ray-new-book_31.html' title='After Tagore-- by David Ray- New Book share'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-4235219527075052024</id><published>2009-10-19T09:20:00.001-07:00</published><updated>2010-11-18T05:36:09.374-08:00</updated><title type='text'>New Nirala Books available-- Folk Tales of Sherpa and Yeti</title><content type='html'>&lt;span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="UIIntentionalStory_Header"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; font-weight: normal;"&gt;&lt;div class="UIIntentionalStory_Header"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="UIStory_Message"&gt;&lt;b&gt;Folk Tales of Sherpa and Yeti&lt;/b&gt;&lt;br /&gt;Collected by Shiva Dhakal&lt;br /&gt;Adapted by Yuyutsu RD Sharma&lt;br /&gt;ISBN 81-8250-002-0 2009 Paper pp.125 Rs. 195&lt;/span&gt;&lt;/h3&gt;&lt;div&gt;&lt;span class="UIStory_Message"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="UIStory_Message"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Folk Tales of Sherpa and Yeti&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;;"&gt; reveals the drama of primitive human mind enacted on Himal’s glacial heights. The book is the result of Shiva Dhakal’s trek to Rolwaling and Khumbu. Creatively exploring the intricacy of human relationships, Shiva Dhakal offers a dazzling diadem of twelve folk tales. Employing his master skill of story telling, unlike fashionable folklorists, Mr. Dhakal evokes the elemental events that determine the working of a primitive psyche. The incidents of raping of an innocent girl by the man-eater Yeti, of the seduction of an intimate friend’s wife, the tempting of an incarnate Lama by a young Sherpa maiden, the Strategy of annihilating Yetis of the world, the birth of mountains out of guilty lovers, and the duel between the wind and the fog reveal the basic working pattern of a primitive mind. To read the Folktales of Sherpa and Yeti is to know the hidden hunger of much misunderstood and glamorized Sherpa mind.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;  &lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;…The book is an excellent contribution to the Sherpa culture and Ethnology. Dhakal deserves congratulations on his arduous undertaking involving mountain trekking and his successful recapitulation of these tales in a very simple and clear-cut style…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;- Dr. Murari P. Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;attach&amp;quot;}" style="margin-bottom: 5px; margin-top: 6px; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIStoryAttachment_Media UIStoryAttachment_MediaSingle" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;media&amp;quot;}" style="float: left; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIMediaItem UIMediaItem_Photo"&gt;&lt;a href="http://www.facebook.com/photo.php?pid=3335568&amp;amp;id=726826219" onclick="ft(&amp;quot;4:9:7:726826219::::0::::164259861219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="UIMediaItem_Wrapper" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;"&gt;&lt;a href="http://www.facebook.com/photo.php?pid=3335568&amp;amp;id=726826219" onclick="ft(&amp;quot;4:9:7:726826219::::0::::164259861219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;img alt="" src="http://photos-h.ak.fbcdn.net/hphotos-ak-snc1/hs261.snc1/8827_164259641219_726826219_3335568_1357665_s.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; vertical-align: middle;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Title" style="font-weight: bold; padding-top: 3px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div class="commentable_item no_comments autoexpand_mode comment_form_164255621219" data-comment="{&amp;quot;source&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;target_fbid&amp;quot;:&amp;quot;164255621219&amp;quot;,&amp;quot;target_owner&amp;quot;:&amp;quot;726826219&amp;quot;,&amp;quot;target_owner_name&amp;quot;:&amp;quot;Yuyutsu Sharma&amp;quot;,&amp;quot;item_id&amp;quot;:&amp;quot;2008504753&amp;quot;,&amp;quot;type_id&amp;quot;:&amp;quot;7&amp;quot;,&amp;quot;assoc_obj_id&amp;quot;:&amp;quot;&amp;quot;,&amp;quot;check_hash&amp;quot;:&amp;quot;6bfad14a780a9e1c&amp;quot;,&amp;quot;num_comments&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;extra_story_params&amp;quot;:[],&amp;quot;source_app_id&amp;quot;:&amp;quot;&amp;quot;,&amp;quot;extra_data&amp;quot;:[]}" id="commentable_item_2008504753_164255621219"&gt;&lt;form action="http://www.facebook.com/" class="add_comment hidden_add_button collapsed_comments" id="add_comment" method="POST" name="add_comment" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;&lt;/form&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-4235219527075052024?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/4235219527075052024/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/new-nirala-books-available.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4235219527075052024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4235219527075052024'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/new-nirala-books-available.html' title='New Nirala Books available-- Folk Tales of Sherpa and Yeti'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-7883608263882097424</id><published>2009-10-17T12:10:00.000-07:00</published><updated>2009-10-31T20:18:50.136-07:00</updated><title type='text'>Annapurnas and Stains of Blood: Life Travels and Writing on a Page of Snow--New Nirala Book available at Store</title><content type='html'>&lt;span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="UIIntentionalStory_Header"&gt;&lt;h3 class="UIIntentionalStory_Message" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}" style="color: #333333; font-size: 13px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="text_exposed_root text_exposed" id="id_4ada16167e2321555870213" style="display: inline;"&gt;&lt;i&gt;Annapurnas and Stains of Blood: Life Travels and Writing on a Page of Snow&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;A highly engrossing account of world’s youngest republic passing through great historic transformation.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Internationally known poet and columnist for several dailies including Th&lt;/span&gt;&lt;span style="display: inline;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;e Himalayan Times and The Kathmandu Post, Yuyutsu RD Sharma for the first time brings alive the secret commotion behind the great change in Himalayan nation that the whole world has been watching curiously. In his lucent prose, he puts together his best to unleash the myriad colors of violence in the contemporary Nepal and in the rest of the world during his legendry travels.&lt;br /&gt;&lt;br /&gt;Terror on the deserted Nepalese highways, merciless butchering of innocent Nepali workers in Baghdad, dismal day of London Bombing, murder of Theo van Gogh, the State of emergency in India, the book captures rare moments in contemporary history that readers would treasure not just for themselves but for the posterity.&lt;br /&gt;&lt;br /&gt;Here you will find a distinguished poet churning out his best prose, at best of his poetic capabilities.&lt;br /&gt;&lt;br /&gt;ISBN81-8250-012-5&lt;br /&gt;Published by Nirala Publications New Delhi-2 2010 Price:395 Non- Fiction Hard Cover&lt;/span&gt;   &lt;span class="Apple-style-span" style="font-size: small;"&gt;   &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;attach&amp;quot;}" style="margin-bottom: 5px; margin-top: 6px; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIStoryAttachment_Media UIStoryAttachment_MediaSingle" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;media&amp;quot;}" style="float: left; overflow-x: hidden; overflow-y: hidden; padding-right: 10px;"&gt;&lt;div class="UIMediaItem UIMediaItem_Photo"&gt;&lt;a href="http://www.facebook.com/photo.php?pid=3318438&amp;amp;id=726826219" onclick="ft(&amp;quot;4:9:7:726826219::::0::::162809201219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/photo.php?pid=3318438&amp;amp;id=726826219" onclick="ft(&amp;quot;4:9:7:726826219::::0::::162809201219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/photo.php?pid=3318438&amp;amp;id=726826219" onclick="ft(&amp;quot;4:9:7:726826219::::0::::162809201219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/photo.php?pid=3318438&amp;amp;id=726826219" onclick="ft(&amp;quot;4:9:7:726826219::::0::::162809201219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;div class="UIMediaItem_Wrapper" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;"&gt;&lt;img alt="" src="http://photos-a.ak.fbcdn.net/hphotos-ak-snc1/hs241.snc1/8827_162809021219_726826219_3318438_6593649_s.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; vertical-align: middle;" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="UIStoryAttachment_Title" style="font-weight: bold; padding-top: 3px;"&gt;&lt;a href="http://www.facebook.com/album.php?aid=129433&amp;amp;id=726826219&amp;amp;ref=mf" onclick="ft(&amp;quot;4:9:7:726826219::::0::::162809201219&amp;quot;);" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;New&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-7883608263882097424?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/7883608263882097424/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/annapurnas-and-stains-of-blood-life_17.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7883608263882097424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/7883608263882097424'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/annapurnas-and-stains-of-blood-life_17.html' title='Annapurnas and Stains of Blood: Life Travels and Writing on a Page of Snow--New Nirala Book available at Store'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-4623018891078830068</id><published>2009-10-17T09:26:00.001-07:00</published><updated>2009-10-17T09:26:44.564-07:00</updated><title type='text'>Annapurna Poems Review--A Trek with the Buddhist Bard</title><content type='html'>&lt;a href="http://dansemacabre.art.officelive.com/atrekwiththebuddhabard.aspx"&gt;http://dansemacabre.art.officelive.com/atrekwiththebuddhabard.aspx&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-4623018891078830068?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/4623018891078830068/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/annapurna-poems-review-trek-with.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4623018891078830068'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/4623018891078830068'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/annapurna-poems-review-trek-with.html' title='Annapurna Poems Review--A Trek with the Buddhist Bard'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-2480648488000268655</id><published>2009-10-13T20:09:00.001-07:00</published><updated>2009-10-13T20:10:22.459-07:00</updated><title type='text'>ECS News Space Cake Amsterdam Book Launch</title><content type='html'>&lt;span style="-webkit-border-horizontal-spacing: 10px; -webkit-border-vertical-spacing: 10px;"&gt;&lt;span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: medium;"&gt;&lt;strong&gt;Space Cake, Amsterdam, and Other Poems Nepal&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: xx-small;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size: x-small;"&gt;Tourism Board&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;strong&gt;&lt;span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: xx-small;"&gt;&lt;strong&gt;&lt;span style="font-size: x-small;"&gt;September 2, 2009&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: xx-small;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;img align="left" height="112" hspace="3" src="http://ecs.com.np/images/images/event_3.jpg" vspace="3" width="150" /&gt;The prelaunch of 'Space Cake, Amsterdam, and Other Poems from Europe and America' was held on the 2nd of September in the Lecture Hall of Nepal Tourism Board. Yuyutsu RD Sharma, an eminent poet and translator, who delivered a few of his favorite poems and shared some personal experiences of his travel. Poems titled 'At 40 you die', 'Temple London' and 'Space Cake, Amsterdam' were discussed among others. Sharma shared the feeling of euphoria and paranoia he'd experienced. A 'space cake,' (common in regions with liberal drug policies), are bakery products containing a form of cannabis usually hash or marijuana. Edited by Michael Annis, the book contains poems that celebrate the political and social aspects of life. Sharma also shared with the audience how he was boisterously travelling about spreading poetry, passion and knowledge about the Himalayas. Although it is already published by Howling Dog Press, (Colorado, U.S.A), 'Space Cake, Amsterdam, and Other Poems from Europe and America' is being published by Nirala Publications (New Delhi) too and is already available in Kathmandu's White Lotus Book Shop.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-2480648488000268655?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/2480648488000268655/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/space-cake-amsterdam-book-launch.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/2480648488000268655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/2480648488000268655'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/space-cake-amsterdam-book-launch.html' title='ECS News Space Cake Amsterdam Book Launch'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-965489007728213767</id><published>2009-10-12T09:38:00.000-07:00</published><updated>2009-10-12T09:38:01.040-07:00</updated><title type='text'>Press Release--New Book Share</title><content type='html'>&lt;span class="Apple-style-span" style="color: #333333; font-family: 'trebuchet ms', verdana, arial, sans-serif; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="deleteBody"&gt;&lt;div class="postBody" style="color: #777777;"&gt;&lt;br /&gt;Press Release from Nirala-- New book Share&lt;br /&gt;Yuyutsu RD Sharma's Annapurnas and Stains of Blood: Life Travels and Writing on a Page of Snow&lt;br /&gt;&lt;br /&gt;Annapurnas &amp;amp; Stains of Blood is a highly engrossing account of world’s youngest republic passing through great historic transformation.&lt;br /&gt;&lt;br /&gt;Internationally known poet and columnist for several dailies including The Himalayan Times and The Kathmandu Post, Yuyutsu RD Sharma for the first time brings alive the secret commotion behind the great change in Himalayan nation that the whole world has been watching curiously. In his lucent prose, he puts together his best to unleash the myriad colors of violence in the contemporary Nepal and in the rest of the world during his legendry travels.&lt;br /&gt;&lt;br /&gt;Terror on the deserted Nepalese highways, merciless butchering of innocent Nepali workers in Baghdad, dismal day of London Bombing, murder of Theo van Gogh, the State of emergency in India, the book captures rare moments in contemporary history that readers would treasure not just for themselves but for the posterity.&lt;br /&gt;&lt;br /&gt;Here you will find a distinguished poet churning out his best prose, at best of his poetic capabilities.&lt;br /&gt;&lt;br /&gt;ISBN81-8250-012-5&lt;br /&gt;Published by&lt;br /&gt;Nirala Publications&lt;br /&gt;New Delhi-2&lt;br /&gt;2010 Price:395&lt;br /&gt;Non- Fiction&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;form action="http://www.blogger.com/post-delete.do" id="deletePost" method="POST" name="deletePost" style="border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; margin-top: 0px; padding-top: 1em;"&gt;&lt;div class="errorbox-good"&gt;&lt;/div&gt;&lt;/form&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-965489007728213767?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/965489007728213767/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/press-release-new-book-share.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/965489007728213767'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/965489007728213767'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/press-release-new-book-share.html' title='Press Release--New Book Share'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-980883093185698240.post-1712483533004325526</id><published>2009-10-12T09:07:00.000-07:00</published><updated>2009-10-12T09:07:01.227-07:00</updated><title type='text'>Nirala Series-- Checklist</title><content type='html'>&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-align: center; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 24.0pt; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Nirala Series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;A Series of Contemporary Writing&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Annapurna &amp;amp; Stains of Blood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Life, travels Writing on a page of snow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu R D Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250- 012-5 2010 Hard pp.200&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 195&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Price of Heaven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Travel Stories from India and Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Evald Flisar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Translated from Slovene&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;by the &lt;b&gt;Author &amp;amp; Alan McConnel-Duff&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250- 020-6 2009 Paper pp.200&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Baghdad, February 1991&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;&amp;amp;Other Poems&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ronny Someck &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Translated into Nepali by &lt;b&gt;Yuyutsu RD Sharma&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250- 018-4 2009 Hard pp.200&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 250&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Folk Tales of Sherpa and Yeti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Collected by Shiva Dhakal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Adapted by Yuyutsu RD Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-002-0 2009 Paper pp.125 &lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 195&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Trance, Initiation &amp;amp; Psychotherapy in Nepalese Shamanism&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Essays on Tamang and Tibetan Shamanism&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Larry G.Peters&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-79-X 2004 Hard pp.412&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 595&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Tamang Shamans&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Ethnopsychiatric Study of Ecstasy and Healing in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Larry G. Peters&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-009-5 2007 Paper pp.179&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Yeti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Spirit of Himalayan Forest Shamans&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Larry G. Peters&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-57-9 2004 Hard pp.128&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ocean in a Drop&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Yoga, Meditation and Life in the Himalayas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Swami Chandresh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250- 005-2 2006 Hard pp.348 &lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 495&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Maoists in the Land of Buddha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Analytical Study of the Maoist Insurgency in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Prakash A. Raj&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-42-0 2004 Hard pp.210 &lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 395&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Rana Rule in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Shaphalya Amatya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-67-6 2004 Hard pp.408&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 695&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Gurkha Connection&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A History of Gurkha Recruitment in the British Army&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Purushottam Baskota&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-77-3 2009 Paper pp.221&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Dolpo :The Hidden Paradise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Journey to the Endangered Sanctuary of the Himalayan Kingdom of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Karna Sakya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;I&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;SBN 81-85693-73-0 2006 Paper pp.246&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Malla Coins of Medieval Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Jagdish Chandra Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-60-9 2009 Hard&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Dhimals: Miraculous Migrants of Himal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Anthropological Study of a Nepalese Ethnic Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Rishikeshab Raj Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-009-7 1991 Hard pp.269&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Gurungs: Thunder of Himal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Cross-Cultural Study of a Nepalese Ethnic Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Murari P. Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-49-8 2002 Paper pp.238&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Gurkhas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A History of the Recruitment in the British Indian Army&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Kamal Raj Singh Rathaur&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-85-4 2000 Paper pp.128&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Political Economy of Land, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Landlessness and Migration in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Nanda R. Shrestha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-87-0 2001 Hard pp.309&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 450&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Tourism in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Marketing Challenges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Hari Prasad Shrestha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-69-2 2000 Hard pp.399&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 495&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ethnic Conflict in Bhutan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Political and Economic Dimensions&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Mathew Joseph C.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-68-4 1999 Hard pp.251&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 395&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Mountain Dimensions&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Altitude Geographic Analysis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;of Environment and Development of the Himalayas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ram Kumar Pandey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-43-9 1999 pp.260 Hard&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 350&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Wildlife in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Rishikesh Shaha &amp;amp; Richard M. Mitchell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;With Color Plates by Nanda Shumsher J.B. Rana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-31-5 2001 Paper pp.142&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Nepal: Missing Elements in the Development Thinking&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Gunanidhi Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-66-8 2000 Hard pp.282&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Recent Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Analysis of Recent Democratic Upsurge and its Aftermath&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Laksman Bhadur K.C.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-24-2 1993 Hard pp.242&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Making of Modern Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Study of History, Art and Culture of the Principalities of Western Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ram Niwas Pandey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-37-4 1997 Hard pp.816&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 795&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Politics and Development in Nepal:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Some Issues&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Narayan Khadka&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-21-8 1994 Hard pp.477&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 450&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Hindu-Buddhist Festival of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Hemant Kumar Jha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-40-4 1996 Hard pp.117&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Art and Culture of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Attempt towards Preservation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Saphalya Amatya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-63-3 1999 Hard pp.282&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Popular Deities, Emblems and Images of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Dhruba Krishna Deep&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-39-0 2003 Paper pp.180&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 150&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Vishwarupa Mandir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;A study of Changu Narayan, Nepal’s most Ancient Templ&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;e&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Jeff Lidke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-59-3 2000 Hard pp.213&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 1495&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Religious Minorities in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;An Analysis of the State of Buddhists &amp;amp; Muslims in the Himalayan Kingdom&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;Mollica Dostider&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-47-1 1996 Hard pp.213&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 185&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Human Rights in Hindu Buddhist Traditions&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Lal Deosa Rai&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-63-3 1995 Hard pp.188&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Fire of Himal&lt;/span&gt;&lt;/b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Anthropological Study of the Sherpas of the Nepal Himalayan Region&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ramesh Raj Kunwar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-64-1 1999 paper pp.314&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Khasa Kingdom&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Trans-Himalayan Empire of the Middle Ages&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Surya Mani Adhikary&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-50-1 1997 Paper pp.215&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Concise History of the Cultural Scenario of the Himalayan Kingdom &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Jagdish Shumsher Rana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-24-2 1993 Hard pp.242&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Bhutan: A Movement in Exile&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;JD.N. S. Dhakal &amp;amp; Christopher Strawn&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-001-2 2009 Paper pp.242&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 395&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Encounter Wildlife in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Karna Sakya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-38-2 1993 Hard pp.296 &lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 495&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Nepal-India&lt;/span&gt;&lt;/b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Democracy in the Making of Mutual Trust &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Dinesh Bhattarai &amp;amp; Pradip Khatiwada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-36-6 1993 Hard pp.324&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Himalayan Mind&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;Cross-cultural Nepalese Investigation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Murari P Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-29-3 1997 Hard pp.240&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Kathmandu Patan &amp;amp; Bhaktapur&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Archaeological Anthropology of the Royal Cities of the Kathmandu Valley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Rishikeshab Raj Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-30-7 1997 Hard pp.111&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;A Glossary of Himalayan Buddhism&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Jagdish Chandra Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-28-5 1994 Hard pp.212&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Nepalala-Mahatmya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Legends on the Sacred Places and Deities of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Jairaj Acharya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-27-7 1992 Hard pp.320&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 400&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Cultural Heritage of Nepal Terai&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Ram Dayal Rakesh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-26-9 1994 Hard pp.240&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Nepali Congress&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Analysis of the Party’s Performance in the General Elections and its Aftermath&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;B.C. Upreti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-33-1 1993 Hard pp.203&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Folk Tales from&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Mithila&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ram Dayal Rakesh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-55-2 1996 Hard pp.126&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Gods and Mountains&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;The Folk Culture of the Himalayan Kingdom of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Kesar Lal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-12-9 1993 Hard pp.176&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 200&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Indo-Nepal Trade Relations&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Historical Analysis of Nepal’s Trade with the British India&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Shri Ram Upadhyaya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-20-X 1992 pp.287&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 350&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Secrets of Shangri-La&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Inquiry into the Lore, Legend and Culture of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Nagendra Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-18-8 1992 pp.292 &lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 250&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Taming of Tibet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Historical Account of Compromise and Confrontation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;in Nepal-Tibet Relations (1900-1930)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Tirtha Prasad Mishra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-16-1 1991 pp.324 &lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 300&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Glimpses of Tourism, Airlines and Management in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;B.R. Singh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-15-3 1991 pp.128 Rs.125&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Sales Promotion in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Policies and Practices&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Parashar Prasad Koirala&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-14-5 1991 pp.196&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 225&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Transit of Land Locked Countries and Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Gajendra Mani Pradhan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-08-0 1990 pp.240 225&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Fundamentals of Library and Information Science&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Nepalese Response&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Madhusudan Sharma Subedi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-07-4 1990 pp.229&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 225&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Folk Culture of Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Analytical Study&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ram Dayal Rakesh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-06-4 1990 Hard pp.129&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 100&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;A Macro-economic Study of the Nepalese Plan Performance&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Gunanidhi Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-06-4 1989 pp.129&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 100&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Sources of Inflation in Asia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Theory and Evidences&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Raghab D. Pant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-03-X 1988 Hard pp.118&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs.100&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;New Directions in Nepal- India Relations&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Rishikesh Shaha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-53-6 1995 Paper pp.59&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 65&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;LITERATURE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Annapurna Poems&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu RD Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-013-5 2008 Hard pp.150&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Rs. 295&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;After Tagore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Poems Inspired by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Rabindranath Tagore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;David Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-007-9 2007 Hard pp. 115&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Hunger of Our Huddled Huts&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;&amp;amp; Other Poems&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu R.D.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-80-3 2007 pp.65&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Kathmandu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Poems Selected and New (An English/Nepali Bilingual Edition)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Cathal O Searcaigh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Gaelic by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Seamus Heaney,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;John Montague and others&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated into the Nepali by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu R.D. Sharma&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-006-0 2006 Hard pp. 105&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 250&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Lake Fewa &amp;amp; a Horse&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Poems New&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu R.D. Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-34-X 2005 Paper pp. 108&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 125&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Muna Madan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Play in the Jhyaure Folk Tradition&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Laxmi P. Devkota&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Nepali by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Anand P. Shrestha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-94-3 2000 pp.65&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 85&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Fever &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;(Short Stories)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Sita Pandey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Nepali&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-93-5 2001 Paper pp.96&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Says Meera&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Anthology of Devotional Songs of Meera,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;India’s Greatest Woman Poet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Hindi by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Vijay Munshi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-96-X 2001 Paper pp.76&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Some Female Yeti &amp;amp; other Poems&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu R.D.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-010-9 2007 pp.68&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;In the City of Partridges &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;(Poems)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Jagdish Chatturvedi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-99-4 2004 Paper pp.90&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Roaring Recitals: Five Nepali Poets&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Gopal Prasad Rimal, Bhupi Sherchan, Shailendra &amp;amp; Others&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Nepali by&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu R.D. Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-95-1 1999 Hard pp.99&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 150&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Summer Rain&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Three Decades of Poetry&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;K. Satchidanandan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-90-0 1995 Paper pp.188&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 150&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Sheet of Snow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;An Anthology of Stories from the Himalayas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Nepali by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Nagendra Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-61-7 1997 paper pp.125&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Dispossessed Nests: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;The 1984 Poems&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Jayanta Mahapatra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-74-9 1986 pp.69 Paper&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 150&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;To the Battlefield on an Elephant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Columns of Fire&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Tara Nath Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-44-7 1999 pp.164 paper&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 195&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Change&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;A Novel based on the 1990 Democratic Upsurge in Nepal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Rishikeshab Raj Regmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-62-5 2001 pp.125&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Blackout (A Novel) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Tara Nath Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Nepali by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Larry Hartsell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-82-X 1990 pp.122&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 100&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Elysium in the Halls of Hell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Poems about India &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;David Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-84-6 1991 pp.160&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 125&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;A Prayer in Daylight &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;(Poems)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyutsu R.D.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-72-2 1984 paper pp.68&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Dying in Rajasthan &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;(Short Stories)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ramanand Rathi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-71-4 1985 pp.62&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;The Black Sun &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;(A Novel)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Bharat Jungam&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-84-6 1985 pp.78&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 125&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 20.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;IN NEPALI LANGUAGE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Panaharu Khalichan : Kavitaka Dui Dashak (Poems)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Yuyustu R.D. Sharma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;Hard (Forthcoming)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-004-4 2007 Paper pp. 102&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 150&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Pashushala (Animal Farm) (A Novel)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Georege Orwell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the English by Bijuli Prasad Kayast&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-8250-000-1 2004 Paper pp.96&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; tab-stops: 320.25pt; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Nepalko Prajatantrik Andolan Ko Itihas&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Surya Mani Adhikary&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-54-4 1998 Paper pp.468&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 295&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Geetajanjali (Nepali)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Rabindra Nath Tagore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Translated from the Bengali by&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Ramesh Bhatta &amp;amp; Pashupati Neopane&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-83-8 2000 Paper pp.125&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt; Rs. 95&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Sarpahoru Geet Sundainan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Italic;"&gt;Poems by &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: PalatinoLinotype-Bold;"&gt;Shailendra Sakar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; line-height: 115%; mso-bidi-font-family: PalatinoLinotype-Roman;"&gt;ISBN 81-85693-97-8 1991 Hard pp.108 &lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; line-height: 115%; mso-bidi-font-family: PalatinoLinotype-Bold; mso-bidi-font-weight: bold;"&gt;Rs. 95&lt;/span&gt;&lt;span style="font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 9.0pt; line-height: 115%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/980883093185698240-1712483533004325526?l=niralapublications.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://niralapublications.blogspot.com/feeds/1712483533004325526/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://niralapublications.blogspot.com/2009/10/nirala-series-checklist.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/1712483533004325526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/980883093185698240/posts/default/1712483533004325526'/><link rel='alternate' type='text/html' href='http://niralapublications.blogspot.com/2009/10/nirala-series-checklist.html' title='Nirala Series-- Checklist'/><author><name>Nirala Publications</name><uri>http://www.blogger.com/profile/07389155637013181448</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
